Unforgivable mistakes in the image of the main character
The most frustrating mistake is when the author suddenly stops feeling for his hero.
This happens for a variety of reasons. Sometimes - because of the complexity and diversity of the character, when it is difficult to maintain a balance between the contradictory traits of nature and not to allow "skewness". Sometimes it is because of long pauses in work on a manuscript, when the character is developing in the author's head, but not on the pages of the draft. And sometimes - just because of the author's own mood swings or self-esteem, when pay for college essay the personal breaks into the novel.
By the way, more at risk of confusing their own emotions with the feelings of the hero are those authors who write the story in first person. Especially if the book is first or second person.
But even experienced writers are not immune from this kind of mistake, it's just that essays for sale with them it is less common and is usually limited to one or two scenes where there is either an emotional overreaction, or overly rational cleverness, or stupid carelessness. In short, things that are completely uncharacteristic of the already established image of the main character and can in no way follow from his motives and values.
Novice authors, if they make this mistake of sudden unwarranted changes, may not create a coherent character at all. In that case, the hero will behave on the pages of the book like a hysterical or at best a naive teenager, unable to follow common sense due to hormonal outbursts and the mood swings they cause.
First, https://payforessay.pro/finance-homework-help/ it is worth working through the values, the character and the conditions that shaped him, even before you write the first line of the book. And it's best to do this in the form of vivid sketches - small scenes involving the hero. Send him for a walk under one of the locations of the book and slip some kind of surprise. How will the hero cope with it? How will he react to it? Imagine inviting the hero to your house and forcing him to make a difficult choice. How will the hero behave in this situation? Will he stay polite or lose his temper? What will he be guided by, thinking over his decision? And so on.
Second, after writing the draft, listen carefully to the first readers as they talk about their impressions of the character. And draw conclusions. And if there isn't enough information in the reviews, ask additional questions. Did any of the readers not like the character's behavior in one of the scenes? Specify why. Ask what makes this scene stand out among other, similar ones. Ask how the reader thinks the character would have acted or behaved and why.